As the modern era dawned and the sword was no longer used as an offensive or defensive weapon, its practice became refined as a method for one to achieve a unity between body, mind, and spirit. This style of sword training is ideally depicted by the Japanese art of Iaido.
Japanese Iaido is a modern martial art, which was adapted from ancient applications. In Iaido, all techniques, which are performed, are based in metaphysical reasoning for their implementation. The Iaido practitioner views his sword practice as a form of meditation and not as a system of advanced self defense. Kumdo, on the other hand, mimics many of the Iaido sword techniques, but emphasis is not placed upon the spiritual elements of the art. Rather, it is focused primarily upon the mastery of the sword in order to overcome an opponent.
The Iaido practitioner views the sword as a metaphysical extension of his soul, not of his body. The Kumdo practitioner, on the other hand, views the sword as a weapon of war. All of its techniques are, therefore, developed as an extension of the body. To this end, the large difference in the foundations of these two arts can be understood.
Mastering the Sword
As with Kendo and Iaido, in Kumdo there exist several schools, which teach varying techniques. Though each of these schools possesses differing methods, there are certain fundamental elements, which they each embrace; namely: respect for the sword, the development of proper stance, the use of breath in association with each sword technique, and the interaction with ki, "Universal energy."
The Stance
When one begins the practice of Kumdo, the primary focus is placed upon "Iwa Sae" or proper stance. It is understood that without a proper stance no sword technique can be performed efficiently. Therefore, extensive emphasis is placed on this element of Kumdo training.
The Center of Gravity
The "Tanjun," more commonly known by the Japanese term, "Hara," is understood to be an individual's center of gravity. This bodily location exists approximately four inches below the navel.
In Kumdo, it is understood that all sword techniques must be launched with a consciousness placed on this bodily location or the practitioner will easily be set off balance by his sword. From a more metaphysical perspective the tanjun is also understood to be the location where ki, "Internal energy" congregates. Thus, this location is quite revered.
Human breath is known to be the link to ki. Thus, a Kumdo practitioner always breathes in ki and mentally directs it to his tanjun at the outset of each sword movement. When the sword is unleashed, this ki filled breath is released with a, "Kiap," a martial arts yell. This signals that ki is being expelled as the sword moves towards its target.
Holding the Sword
In Kumdo, the sword is held with your lead hand placed just under the sword guard. In some designs the jung kum possesses no sword guard. In these cases, your lead is placed in the same location, at the upper region of the sword's handle. Your rear hand is located at the bottom of the sword's handle. From this grasp, maximum control is maintained over the sword.
In certain Kumdo techniques, the sword is wielded with one hand. In this case, the hand holding the sword remains close under the sword guard. Thus, maintaining maximum balance and control over the sword.
When the jung kum is held, your elbows should remain slightly bent. This is true in all Kumdo drawing, ready position, and striking techniques. From this, you allow your arms to remain loose. Thus, possessing the ability to readily direct or redirect your sword technique with speed and accuracy.
Drawing the Sword
In Kumdo, as with Iaido, the primary focusing technique witnesses the practitioner precisely draw the sword and unleash a highly defined striking technique. In Kumdo, once the sword has been unsheathed, these defined strikes often times include the use of the sheath as a blocking tool. This use of the sheath, as a defensive weapon, is one of the factors, which separates Kumdo from most schools of Iaido.
Eight Primary Strikes
All techniques used in Kumdo are based in eight primary strikes:
1) Overhead Strike, Straight
2) Overhead Slash, Left Side
3) Overhead Slash, Right Side
4) Side Slash, from the left
5) Side Slash, from the right
6) Under Slash, from the left
7) Under Slash, from the right
8) Under Body Strike
Variations are added to these techniques as the Kumdo practitioner becomes more advanced with his use of the sword.
Sword Strikes
In Kumdo the strike of the sword is never over extended. The practitioner must always control the blade as opposed to being controlled by its weight and momentum. This is accomplished by never randomly striking at the imaginary targets. All strikes are performed consciously with precise impact points in mind.
The development of proper sword strike ability is achieved through conscious practice and proper technique. A sword, in practice, is always extended with the same intent or controlled force that would be used in a true confrontational situation. It is a misnomer that a sword is wielded with a different intensity when one is defending against an imaginary opponent or a real object.
Understanding The Kumdo Sword Strike
Kumdo sword strikes are made in linear fashion. That is to say, they are performed in a straight to the target pattern. Whenever a strike is performed with the sword, it is quickly and precisely snapped into its final position. The sword techniques are not ornamented or flashy. And, no unnecessary energy is used when they are performed. This is where Kumdo differs from some of the Chinese schools of swordplay.
As is the same with the kicking and punching techniques indigenous to Korea, all sword strikes are not ended at the beginning of the target. They are, instead, performed in an application that would penetrate and go through said target. This implementation does not negate the previously mentioned conscious impact point. What it does entail is that the Kumdo swordsmen learns how much impact must be delivered in each sword application to penetrate their intended target.
All Kumdo sword strikes are precisely implemented movements. Through continued practice the swordsman comes to the understand how each sword technique is most efficiently performed. This is accomplished by observing how much force is used in each sword technique, where that energy is most effectively focused, and how much power it will take to achieve the desired result. All of this come from continued practice and developed understanding.
One of the four Practice's of Kumdo includes ( Matt cutting Techniques )
The Kumdo technician focuses his training upon four formats in order to increase and perfect his skills:
1) Hyung or forms practice
2) Imaginary opponent practice
3) Partner training drills
4) Matt cutting techniques.
Hyung
The practice and development of Kumdo relies heavily upon forms training. Forms are known by the Korean word, "Hyung." Specifically Kumdo forms are referred to as, "Bon Kuk Kum Bop."
There are ten primary forms that are used in Kumdo. With in these forms, the majority of all the sword techniques are used and then integrated with the various applicable foot and hand techniques.
In many schools of Kumdo, the techniques of the sword are integrated with the weaponless fighting styles of Korea. For example, kicks and to a lesser degree, hand strikes are incorporated into all methods of sword practice. This is particularly the case of the hyung of Kumdo.
Imaginary Opponent Practice
The imaginary opponent practice in Kumdo may loosely be compared to Shadow Boxing. This is the aspect of training when a Kumdo practitioner perfects his techniques through solo practice. This is achieved by executing and delivering attacks, defensive maneuvers, and counter strikes to imaginary targets and opponents.
Through this style of practice, one is given the opportunity to perfect specific sword techniques and develop new mastery over the weapon. For the novice Kumdo practitioner, this is a time to experiment and discover how the sword moves and feels while performing the various techniques.
Partner Training Drills
Swords, even when made of bamboo or wood, are very dangerous weapons. It is for this reason that the Kumdo practitioner spend many months and even years performing sword forms and individual solo practice sessions, in order to become very familiar with the weapon before he moves onto the more advanced partner training drills. As detailed, commonly, in Kumdo, when one works with a partner, the Kendo armor is worn.
The Kumdo partner training drills involve the calculated and prescribed movements of a sword attack being launched and then blocked and possibly countered by a trained opponent. Commonly, the wooden or bamboo sword is used in these drills.
The techniques that make up these partner-training drills are ones common to Kumdo. For example, an opponent will unleash an over head strike, which will be sidestepped, then a side strike will be delivered.
In the beginning of the partner training the practice opponent is told what sword technique will be launched at him and what block or counter attack he will answer with. As deeper understanding of the sword is mastered, training partners then move on from the specified techniques to more random sword attacks, blocks, and counter strikes. In this way actual sword fighting timing and skill is developed.
The advanced Kumdo stylist who has had the training time to develop precise strike and block abilities with the sword engages in these practice sessions. It can not be undertaken at an early stage by the sword aspirant, as he does not yet possess the developed control needed to insure the safety of his training partner.
Kumdo Combat
At the most advanced level of training, the Kumdo practitioner enters actual combat competitions. This is what one commonly sees in Kendo matches, where two opponents face off, deliver appropriate strikes, with one ultimately emerging victorious.
Kumdo: The Three Levels of Mastery
In Kumdo, it is taught that the student progresses through three levels of understanding while mastering the sword:
1. Physical Mastery.
2. Mental Mastery.
3. Spiritual Alignment.
In the first level, the Kumdo student, through years of practice, becomes proficient with all of the physical aspects of the art. These include understanding correct sword etiquette, mastery of the stances, and proper techniques in drawing and moving with the sword.
The second level witnesses the Kumdo practitioner beginning to rise above the objective techniques of the sword. The Kumdo technician no longer needs to contemplate whether or not he is in the correct stance or unsheathing the sword efficiently. Through long periods of practice, all movements have become natural and there is no unnecessary thought given to them.
At the third and final level, the Kumdo stylist transcends the limitations of his body and his thinking mind, merging with meditative consciousness. The mind is silenced through refined focus and the sword is used solely as a tool to link the body and mind with the infinite.
Juk do -- bamboo sword
Jung Kum -- long sword
Kal -- sword or knife
Kal geut -- tip of the blade
Kal jip -- sheath
Kum -- sword
Kumdo -- way of the sword
Kum sool -- term for sword skills
Mok kum -- wooden practice sword
